Drugs and drinking affect every family I know, country and city, middle-class and poor.

Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves. The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.

We have a shotgun we inherited from my father-in-law, a paranoid Englishman living in Texas. I have a .22 Marlin rifle, similar to the one Annie Oakley had, and my husband has a .357 Magnum pistol. All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.

I wasn't writing stories with the intention of creating a particular collection. I simply wrote stories, and then discovered common themes among a good number of them.

I grew up with donkeys, as well as horses, but I'm more interested in donkeys.

I've worked behind counters serving food, and I've lived on the circus train, and I've led bicycle tours in Eastern Europe and the Balkans and Russia. I've been a key liner for a newspaper, I've done typesetting. Oh, all sorts of things.

I can't personally drink or fight too much nowadays because I have to be perky in the morning in order to write.