There would be no rock and roll or rhythm and blues without Leo Fenders' contribution ... the tone is everything

I'm honored when young people say they've gone to school on slide guitar with my records. But people get their influence from my live shows and records and YouTube, not me personally. I walk around with a hat on. People don't know it's me.

I don't go into any album with a concept or a deliberate direction. It's more letting the best music that really appeals to me at the time, the best songs that I find after many months and years of search and sifting through my collection, and asking radio people and journalists. It's really an ongoing search that's as much daunting as it is somewhat exciting.

I would love to see a revival of what we had against the war in the '60s - we could do these teach-ins on the internet, live and split screen, and have real in-depth debate between people that are on the "other" side of issues - nuclear, gun control, whatever. We could really be having a much more democratically involved and exciting debate with people emailing their questions and having a virtual town meeting.

I learned a lot about what it was like to have to use different hotels and not use the bathrooms, which made me more determined to be an activist.

Those of us who grew up in the '50s and '60s, we had the dream that this could be turned around, and the earth could be back in balance, and that we could level the playing field with men and women and pay, and you know, minority groups having equal opportunity. We just magically thought this was all going to happen: we were going to have clean food, and organic this, and conscious that, and it just didn't happen.

There's something about the Strat's shape that is at once masculine and feminine