We have people who were actually CSIs on set [CSI: Miami], so definitely I have learned a lot just having them around.

There is a group of us that met through Howard Klein's class in Los Angeles. Howard Klein is a prominent acting teacher. We got together and did this short Night Music that was such an amazing experience, Guy and I were thinking, 'Okay, what do we do next?' So he wrote this next movie of his, Loulou.

They [people who were actually CSIs ] try to be as accurate as possible as far as like swabbing and getting it into the centrifuge and whatever all that takes, but I know that definitely we tend to get a case solved all in one week when in reality it takes years to solve one, I think.

[Film Loulou] is about Loulou, a ghost from the 1920s. She was a flapper and she was a dancer, had kind of a free lifestyle, then she ended up marrying a man who wanted to kind of keep her in the house and control her environment a little bit more and so she committed suicide.

You know when you are doing a movie like [Ted Bundy] you try to as much as you can keep it upbeat when you are not working on the scene, so you cannot totally get disgusted and lost in it and also from my point of view I was ignorant to it all what was kind of going on.

I think that Jerry Bruckheimer just kind of has his finger on the pulse of what America wants.

I think what it is a condition of human - of love. How important that is and integral that is too everybody even a ghost.