Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] - things that you probably shouldn't like.

I would rather have a cup of tea than sex.

When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.

I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.

Most of my influences are from the past.

I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.

I am thinking of George Michael's family, friends and fans. He was so loved and I hope he knew it because the sadness today is beyond words. Devastating. What a beautiful voice he had and his music will live on as a testament to his talent. I can't believe he is gone. I hope the Buddha will hold him in his arms. NMRK.