I'm always being inspired .

I also tried to avoid doing obvious dance records.

I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.

When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.

You're lucky if you reach the point where you go, "OK, I have a wonderful life ...I fly around the world, stay in beautiful places, people are generally quite sweet to me, what's to complain about?" But I think you have to get there... And it's taken me the best part of 54 years to reach that point where I'm like, "I'm very lucky, I'm lucky, I'm blessed" - all of those things. I wish I could impart that to other people but I think when you're young, you just don't listen.

Sometimes indifference can be so erotic. I think the people who are most dismissive of you get the most of your attention.

Leigh [Bowery] affected a posh English voice and elongated his vowels, and you never knew if he was being sincere or mocking you. If I ever commented on one of his outfits he would snip, "Oh, thank you, Mr. Boy George. I do value your opinion." And then he would spin and make some ridiculous noise and mince off.