I suppose there is a lot of toughness in me.

I have the best job in the world. There's not really a lot to moan or whine about. I've got the privilege of going out and doing something I absolutely love.

Tweeting is something you can do wherever you are, on your phone, on the computer, in an airport lounge. It's easy to do, and I do find it fun to communicate with people. It's quite nice that we can have almost direct contact with anyone in the world at any time. I don't know how important it is in terms of one's career. It seems to be pretty much superfluous in terms of that, but it's nice to communicate.

I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.

I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

Warren Street was at the high end of the New Romantic scene. They were mostly college art students and people who knew top designers.

A lot of what I've been learning in the last two years is due to therapy - about my sexuality, why things go wrong, why relationships haven't worked. It isn't anything to do with anybody else; it's to do with me.