The fabulous side of Taboo was dressing up and dancing like no one was watching you. There were no rules. You had Jeffrey Hinton playing every kind of music. It was like going back to when I used to deejay at Planet in '79, where you'd mix in nutty things like hip-hop or reggae or The Sound of Music [1965] or other film soundtracks - whatever.

For me, touring is about looking after myself.

The world is less homophobic, depending on where you are in the world... As a gay man I feel very strongly about those issues around the world - there've been huge changes and developments, but there are still places where things are scary.

Leigh [Bowery] affected a posh English voice and elongated his vowels, and you never knew if he was being sincere or mocking you. If I ever commented on one of his outfits he would snip, "Oh, thank you, Mr. Boy George. I do value your opinion." And then he would spin and make some ridiculous noise and mince off.

I also tried to avoid doing obvious dance records.

The most significant New York club for me was Paradise Garage, where they played house music. This was around '84 or '85.

Leigh [Bowery] obviously loved having me in the club because I would attract media, and he loved and lived for his column inches.