I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.

I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.

For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.

I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.

Leigh Bowery was actually quoted as saying, "Flesh is my most favorite fabric." I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.

When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.

Leigh Bowery created outfits that made him look deformed, which was very brave. I believe this was the main thing that gave Leigh his edge. His designs were often breath-taking, but it was the way he used his body that was so utterly new and refreshing.