The Taboo scene was a kind of deconstructed version of the New Romantics. The Taboo crowd was using a lot of the visual ideas that had already been used. I remember the first time I spotted Leigh Bowery and Trojan parading around in clubs: They were in their "Pakis from Outer Space" look, and the makeup was quite similar to one of my old looks, because I was quite fond of wearing blue, green, or yellow foundation, and so I was pretty dismissive of them at first.

You're lucky if you reach the point where you go, "OK, I have a wonderful life ...I fly around the world, stay in beautiful places, people are generally quite sweet to me, what's to complain about?" But I think you have to get there... And it's taken me the best part of 54 years to reach that point where I'm like, "I'm very lucky, I'm lucky, I'm blessed" - all of those things. I wish I could impart that to other people but I think when you're young, you just don't listen.

I am what I am. There's nothing I can do about it.

I'm always being inspired .

I knew style and content went hand in hand.

What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.

We changed the name from Sex Gang Children to Culture Club because Jon Moss, our drummer, went to L.A. on holiday and took some demo tapes with him. -Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, "I don't think America's ready for the Sex Gang Children."