Part of me looks at the gay movement now and worries that we're losing our individuality.

I can do anything. In GQ, I appeared as a man.

For me the most interesting thing about Leigh Bowery was the way he used his body as a style statement. He was a big guy, but, because he was tall and had long legs, he looked in proportion - even sexy - despite being overweight by conventional standards.

Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] - things that you probably shouldn't like.

I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.

For me with "The Apprentice," it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.

We changed the name from Sex Gang Children to Culture Club because Jon Moss, our drummer, went to L.A. on holiday and took some demo tapes with him. -Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, "I don't think America's ready for the Sex Gang Children."