I prefer film to the stage. I always like the rehearsal better than I like performing.

I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.

If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.

I am good when there is something central about the character. There is always a human theme I attach myself to. I am really looking for something that is moving or enlightening or something with depth as an actor. I look for these kinds of roles.

I have a 13-year-old daughter who rents these bloody horror movies, and I can't even walk into the room when she's watching them with her friends.

The universe is dynamic. When we are creative, we are the most alive and in touch with it.

You know, you try to be diverse, and try to have fun and round things out.