Albert Lee and I have become real close friends, and he comes out anytime I'm in the L.A. area, and he'll sit in for the whole show ! ... we've got a habit of doing that ... in Austin Redd Volkaert does the same thing ... it's fun ... I love to make it a guitar thing and the audience doesn't know any different - they think he's some new band member they don't know. They don't realize Albert's the reason we all play Teles!.

I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.

When Ray Flacke came out, it was like 'What in the heck is this?' ... there's a guy who had that Tele players attitude, and he plugged straight into that amp with a delay, and it was unbelievable the way he would bend those big strings ... he was really unique.

I like to look at the songs like they're little movies.

She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.

I go to eat dinner with my folks when I'm home. I think that's the trick.

The nice thing about the world that I've been able to inhabit for the last couple of years is that I'm given a lot of freedom. Not all artists really get that.