I'm not a big proponent of happiness. I think it's highly overrated. I think misery is underrated. There's so much value in that. You can't have one without the other.

Within time, you get comfortable with yourself and with the unknown - that we're not going to know until that time comes. And that's enough for me. I wrestle with this a lot even now because I don't want to step on anyone's religion. My family is still very dedicated. At the same time, I take great issue with it when it starts defining policy or ultimately becomes separatist. ... It's been the basis of our main conflicts throughout history.

Religion works. I know there's comfort there, a crash pad. It's something to explain the world and tell you there is something bigger than you, and it is going to be alright in the end. It works because it's comforting. I grew up believing in it, and it worked for me in whatever my little personal high school crisis was, but it didn't last for me.

Gay marriage is inevitable. The next generation, they get it. It is just a matter of time before it becomes a reality.

I am very interested in architecture. I've been asked if I'd ever direct, but me, I'd rather build. It's very similar to directing, because you get to walk among this piece of art, to live in it, be surrounded by it, which is just thrilling.

Jesse [James] was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James] really takes place at the end of all that, the last year of his life, at the end of all that celebrity.

Actions speak louder than words, and it's no more true than with your kids.