You shouldn't speak until you know what you're talking about. That's why I get uncomfortable with interviews. Reporters ask me what I feel China should do about Tibet. Who cares what I think China should do? I'm a f***ing actor! They hand me a script. I act. I'm here for entertainment, basically, when you whittle everything away. I'm a grown man who puts on makeup.

I know some of these guys who are in that stalkerazzi world, and you really have to separate them from the paparazzi in our industry. This is another breed. And they have their heroes who got the big scandalous shot, and which just promotes more of that.

When I was a little kid we moved to Tulsa, then to St. Louis and, by the time I was in kindergarten, we lived in Springfield, Missouri. There I basically grew up.

The scouts [in "Moneyball"] could lend an authenticity that's even beyond what we had on the page.

There are no secrets at our house. We tell the kids, 'Mom and Dad are going off to kiss.' They go, 'Eww, gross!' But we demand it.

Mr. and Mrs. Smith. It's kind of a more of a comedic-actiony film. And then we just started Ocean's [12] Monday. Or I did anyways.

The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].