We had a work session [in "Moneyball"] where about 30 scouts came in and we're all riffing. And after it, [director] Bennett Miller said: Look at these faces and this is what we have to got to do. We got to get these guys in the scene.

So I swear to God, I took one year where I just said, This year, I'm just going to cop to it and say to people, 'Okay, where did we meet?' But it just got worse. People were more offended. Every now and then, someone will give me context, and I'll say, 'Thank you for helping me.' But I piss more people off. You get this thing, like, 'You're being egotistical. You're being conceited.' But it's a mystery to me, man. I can't grasp a face and yet I come from such a design/aesthetic point of view. I am going to get it tested.

When I first got out to Hollywood, they were pushing me for sitcoms, and I didn't really have an interest in them. I wanted to do films and slowly worked that way. And then it became, I guess, this curse of the leading man.

I phoned my grandparents and my grandfather said 'We saw your movie.' 'Which one?' I said. He shouted 'Betty, what was the name of that movie I didn't like?

Whilst acting is my career, architecture is my passion. Selecting this development as my first major construction project has been a simple decision. It will underpin not only my values for environmentally friendly architecture, but also embrace my career in entertainment

We had a work session [in "Moneyball"] where about 30 scouts came in and we're all riffing. And after it, [director] Bennett Miller said: Look at these faces and this is what we have to got to do. We got to get these guys in the scene.

By nature, I keep moving, man. My theory is, be the shark. You've just got to keep moving. You can't stop.