We had a work session [in "Moneyball"] where about 30 scouts came in and we're all riffing. And after it, [director] Bennett Miller said: Look at these faces and this is what we have to got to do. We got to get these guys in the scene.

By nature, I keep moving, man. My theory is, be the shark. You've just got to keep moving. You can't stop.

I have very few friends. I have a handful of close friends, and I have my family, and I haven't known life to be any happier.

Man, when I'm riding with the helmet on, I'm invisible. And people just deal with me as the guy on the bike... it gives you a chance to read 'em.

When I first moved to L.A., I discovered Roy London. I didn't know anything about the arts, the profession; I had no technique, I knew nothing, I'm fresh from Missouri. I sat in on a few classes, and they just felt a little guru-ish and just didn't feel right to me. Until I met Roy.

I just take credit for being smart enough to find a guy as smart as Benett [Miller] to tell the story [of "Moneyball"].

Kids are dying from diarrhea ... that just shouldn't be in this day and age, and it's that kind of thing that needs to be changed. Enough is enough