The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].

One of the greatest, smartest things I ever did was give my kids Angie as their mom. She is such a great mom. Oh, man, I'm so happy to have her.

So I swear to God, I took one year where I just said, This year, I'm just going to cop to it and say to people, 'Okay, where did we meet?' But it just got worse. People were more offended. Every now and then, someone will give me context, and I'll say, 'Thank you for helping me.' But I piss more people off. You get this thing, like, 'You're being egotistical. You're being conceited.' But it's a mystery to me, man. I can't grasp a face and yet I come from such a design/aesthetic point of view. I am going to get it tested.

It may be a brief interruption - just a few seconds - but what if someone sitting near you is trying to make a decent bootleg? Did you ever think of that? Now all those street-corner copies are permanently defiled by your so-called 'emergency.' Don't be so damn selfish.

I would love to work in a Bollywood film as there is so much drama and colour in the films there.

I come from the belief that all good films find their time whether it's on opening week or sometime later. That's certainly true with some of my favourite films that might relate to this [The Assassination of Jesse James] film in terms of cadence like Pat Garrett & Billy the Kid, or McCabe & Mrs Miller or Days of Heaven. I found them 10 to 20 years after they were made.

I loved 'Saturday Night Fever' when I was a kid. I couldn't believe people talked that way. It was just a whole new culture I didn't understand. I snuck into it. It was an R-rated film. So it holds a special place.