Once you hit 40, you start reexamining the math of it all. I'll trade wisdom for youth any day.

I look and there's our boy from Vietnam and our daughter from Ethiopia, and our girl was born in Namibia, and our son is from Cambodia, and they're brothers and sisters, man. They're brothers and sisters and it's a sight for elation.

How many stories have you read that aren't true, stories about me and Angie being married or fighting or splitting up? And when we don't split up, there's a whole new round that we've made up and we're back together again!

You hear stories of intense actors who can't shed their character and who don't know who they are for a week or two after. I'm not that guy, man.

There are no secrets at our house. We tell the kids, 'Mom and Dad are going off to kiss.' They go, 'Eww, gross!' But we demand it.

I had the luxury of working on the script with Andrew [Dominik] for a good year before the film started, so I was already intimate with the story [of The Assassination of Jesse James] and felt quite prepared walking into it.

It's hard to be surprised by a film. It's hard to be surprised by another actor or by a director when you've seen enough and been around. So when I am, or when I forget that I'm watching someone's movie, or when I don't know how someone made a certain turn that I didn't expect... You know, I'm in.