I find all of my performances come down to mathematics in a sense - how do you approach the problem of this character? Sometimes I crack that problem, sometimes I don't.

What occurred to me on [‘The Curious Case of Benjamin Button’], and also with the passing of her mother, is that there's going to come a time when I'm not going to get to be with this person anymore. I'm not going to get to be with my children anymore. Or friends, people I love and respect. And so, if we have a flare-up, it evaporates now. I don't want to waste time being angry at someone I love.

When I was a boy, I would ask about my family history, about my bloodlines. We really didn't know that much. We had a little Indian in us from the Oklahoma Trail of Tears.

I am very interested in architecture. I've been asked if I'd ever direct, but me, I'd rather build. It's very similar to directing, because you get to walk among this piece of art, to live in it, be surrounded by it, which is just thrilling.

The choice or decision to take on a film certainly isn't calculated as far as doing something that will be successful against something that will have a smaller audience. It's all a gamble to me, I don't bet on the horses; I just go with the story that speaks to me and that I feel strongly about which is this one [The Assassination of Jesse James].

Being married means I can break wind and eat ice cream in bed.

I believe you make your day. You make your life. So much of it is all perception, and this is the form that I built for myself. I have to accept it and work within those compounds, and it's up to me.