The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
Bradford CoxI read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
Bradford CoxI like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Bradford CoxIn reality, I've probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
Bradford CoxI'm obsessed with five different things a day. It's like lightbulbs in a Christmas light chain.
Bradford CoxUnfortunately it's hard for me to be a fanboy for anything these days just because I see so much music. And it's not a namedropping thing, but there's just not that many people in this certain small little genre world we live in that I don't know or am not acquainted with. And I like them all; I get along with pretty much everyone. It wouldn't be unusual to see a thousand collaborations at some point.
Bradford Cox