I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.

I don't have anything to prove.

I realized I had written maybe, I dunno, the first ever asexual love song. Where it's really just about a fear of dying alone - you need contact, you need love, you need empathy. You need this relationship but if there's no sex involved, people act like it's not a legitimate relationship.

My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.

Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, "I'm the musician, you're the audience. Never the two shall meet." It was a case where it was like, "Hey, you know what? I'm on your level, man."

I need punk rock. It's the medicine for me, but it's bitter and sickening. If you don't need it - if you're happy and healthy - run toward that.

It was like I was asking for attention, but I didn't really want attention.