You gotta have friends, and it's really hard to have friends that don't operate on the same schedule as you or do the same kind of things you do, because they don't understand it. And then you realize that your friends - your real-life friends - it's not that they become fanboys of you but they become more interested in what you're doing than how you're doing.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

In reality, I've probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.

I want to build an audience that's willing to follow us in whichever direction we might choose.

I want to satisfy the listener, exactly. I want to entertain the audience. I want the people to leave the show with the feeling I used to leave shows with when I was young, and I couldn't get over it for another three or four days after it. I just kept reliving the set in my mind.

As a homosexual, my job is simply to sodomize mediocrity.

For me, experimenting involves traditionalism.