Usually I'm not really conscious of what's going on. I don't have a lot of memories onstage. At all.

Sometimes, I do have something to say, so I'll sit there and I'll write a song to someone - and then I just throw it away because it makes me cringe.

I used to be a lot more engaged on an improvisational level than other people. I was always on tour and always had a guitar in my hands, and when I went back home, my battery was at full charge. I had a lot of energy to get off, just impulses that I could draw upon.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.

I've always said I write albums; I don't write random songs and then sort them out.

I'm real critical of myself. I think a lot of what I've done is boring indie rock. I didn't intend it to be that way, but somehow milk gets added to everything.