Usually I'm not really conscious of what's going on. I don't have a lot of memories onstage. At all.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.

Contrary to popular belief, maybe, I'm a really friendly guy, I guess, and I really like meeting people. And I'm not really super impressed even if you're my hero; I can just rap with you and we can hang. I'm not gonna like sit there and bite my lip and ask questions about certain songs - okay I might do that once or twice. But it's just, like, two people hanging out.

Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.

I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store. I thought it was really dark, and so I tried to interpret it. I've always been interested in writing from other people's perspectives and other gender perspectives.

People say 'I don't want to die alone!' But you know what, honestly? I don't want to die with a bunch of people looking at me.