I see a lot of people doing an "'80s thing" who weren't even born until the '90s.

I know so many people think my music is quite influenced by Animal Collective, but honestly I think maybe the factor is that we're both influenced by the same stuff.

A lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.

I'm real critical of myself. I think a lot of what I've done is boring indie rock. I didn't intend it to be that way, but somehow milk gets added to everything.

Unfortunately it's hard for me to be a fanboy for anything these days just because I see so much music. And it's not a namedropping thing, but there's just not that many people in this certain small little genre world we live in that I don't know or am not acquainted with. And I like them all; I get along with pretty much everyone. It wouldn't be unusual to see a thousand collaborations at some point.

I don't leave my room, and all I am surrounded by are guitars and equipment, y'know? It's not always the best place to be.

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.