Unlike the rest of everyone I hang around with, I don't drink, so I remember what happened after shows. And I have never hit on anyone after a show, I'm not that kind of person. Even if I was attracted to someone, I'd be too shy.
Bradford CoxA lot of Appalachian music has a certain haunted, foggy feel to it; a certain sinister quality. And that transcends who is singing it. I think it's good if an artist can represent some kind of culture that they either aspire to ignite, or that they themselves experience.
Bradford CoxI've got this thing where I always kind of diss the older stuff and favor the newer stuff. I mean, it's not just my thing; every artist or musician is like that, I guess.
Bradford CoxThe first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.
Bradford CoxI like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Bradford Cox