This election ain't no stinkin' TV show.

We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.

I can't believe George Bush might be president.

I used to defend the West Wing show from the charge of sentimentality or wish-fulfilment, because I think if you do go into the Barack Obama White House you will find six or seven people around him who are true believers. We make these people climb this filthy rope and then we stand at the bottom and say, "Hey, your hands are dirty!" To show heroic, progressive, democratic politics at work was more than I ever expected.

One of the most surreal moments in this election was after the third debate, when I heard a talking head say, Al Gore won on substance, on the issues. But you have to give the victory to Bush because he seems presidential.

Aaron is a very passionate, maniacal writer so the scripts really come from him, but he is very open to... y'know, we'll plan ideas and we'll certainly tussle about stuff when the script comes out. So, to a certain extent, he's very interested. If there's some problem or something that doesn't ring true, he wants to know why and he wants to correct it or fight for it.

When you act, you're always playing a version of yourself. You can't bring more to the role than what you are