I was watching Orson Welles and Jean Vigo films at a ridiculously young age.

It's so enjoyable to play a bad guy, you know.

I feel that as a writer and as a performer too. I never really thought about backstory for characters. It was much more of a musical approach: You learn a melody, and then you sing it, I suppose, or you find a rhythm or a cadence that works for the material. And then it's sort of about hitting that note correctly and finding those beats.

I was watching Orson Welles and Jean Vigo films at a ridiculously young age.

I realized that work doesnt beget work. Good work begets work. So I got a lot more patient and stopped worrying about working all the time.

I did all sorts of cartoons and stuff. And every once in a while I still do. It's rare, but it happens.

I think I was always interested in darker characters just because there was a lot more to do.