My mother's a singer and my mother's father is a singer, and everyone on both sides are all country-western bluegrass musicians.

The oppression of women is the single most corrosive and urgent problem of our time.

I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.

Privilege and complacency paralyze me with fear sometimes. But the less vulnerable we are because of privilege, the country we're born in, or the security we enjoy, the more vulnerable our souls are to apathy.

I feel like the kindest thing that I do to my voice is sing.

Writing is sort of putting a puzzle together halfway. Then, performing it has always been the completion of it. Once that happens, I'm feeling verbally communal with other people. It's out there and I feel so much better about it.

When I was younger, I was always running into other girls involved in music. When I was about 14 or 15, one of my friend's dads was an Elvis impersonator and asked us to sing backups at a rehearsal. I did well and was hired. Did that for about two years.