I hope that somewhere in Small Town, U.S.A., a 15-year-old kid looks to me as a role model the way I looked at the Indigo Girls and Elton John as role models.

There's a lot of really inspiring music coming around the bend - we tend to believe that to sound classic or timeless is to sound vintage or retro. It's a little bit dangerous, because you'll really miss a chance to make your mark as a generation.

The first thing I think of when I think about coming to Las Vegas and playing is always Elvis; its always the first thing on my mind.

I'd love to claim the title of 'songwriter' or 'intellectual,' but the truth is that anything that I ever learned how to do in conjunction with music was purely so that I would have a platform to sing from.

But now, with the last two years of touring and being on the road, I've learned that a live show should never sound like a record; a record should sound like a live show.

The mole can't live in your dollhouse.

I stand firm behind the belief that, for me, songwriting isn't something that I do or command, it happens to me. I can either choose to stop and acknowledge it, or put it off and hope that it won't fade away. 'That Wasn't Me' is no exception - it came together more quickly than any other song I have ever constructed on my own.