You don't know what you like, you like what you know. In order to know what you like, you have to know everything.

The way to learn the language is to rip off other players. As Benny Golson told me, "We all start off sounding like other cats. And gradually, a lick here or there,we start to sound like ourselves. But it takes a long time to do so..." That'swhat he told me, and it worked for me.

If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold.

I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.

We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.

You hear it in your brain. Whatever makes sense. Some songs work well as quartet songs, sometimes they don't.

I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.