I remember thinking, I want to work for the camera.

Elizabeth Hurley and I had a lot of fun together. She's a very beautiful, confident woman.

In L.A., nobody touches you. We're always behind this metal and glass.

I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.

I remember thinking, I want to work for the camera.

I think you have to show homage to creators.

I've been grateful enough, smart enough to take the work with Ian McKellen in Gods And Monsters.