I wish I could go home. I've been on the road since May. I wonder if my dogs still remember me

I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.

It's nice to know that if you've worked really hard at something, it gets recognised with a tick in the success column - however you define that, be it making a bunch of dough, which the actors never see much of, or whether it's a piece that's enlightening or stays with the audience maybe six, seven or even eight or 10 years later.

I wanted to have the opportunity to travel to Vietnam and Sydney, and have the chance to work there.

The dimensionality of 3D, the depth of field, the dynamism... it's an immersive experience. And on top of that it's great because the new glasses don't make you want to throw up and they don't give you paper cuts!

I guess darkness serves a purpose: to show us that there is redemption through chaos. I believe in that. I think that's the basis of Greek mythology.

You should do everything as if it's the last time you might ever do it. Because, you know, it may be.