The Ragamuffin rabble are the unsung assembly of saved sinners who are little in their own sight, conscious of their brokenness and powerlessness before God, and who cast themselves on His mercy. Startled by the extravagant love of God, they do not require success, fame, wealth, or power to validate their worth. Their spirit transcends all distinctions between the powerful and powerless, educated and illiterate, billionaires and bag ladies, high-tech geeks and low-tech nerds, males and females, the circus and the sanctuary.

Grace abounds in contemporary movies, books, novels, films and music. If God is not in the whirlwind, He may be in a Woody Allen film, or a Bruce Springsteen concert. Most people understand imagery and symbol better than doctrine and dogma. Images touch hearts and awaken imaginations. One theologian suggested that Springsteen's 'Tunnel of Love' album, in which he symbolically sings of sin, death, despair and redemption, is more important for Catholics than the Pope's last visit when he spoke of morality only in doctrinal propositions.

Without exposure to potential failure, there is no risk.

The saved sinner is prostrate in adoration, lost in wonder and praise. He knows repentance is not what we do in order to earn forgiveness; it is what we do because we have been forgiven. It serves as an expression of gratitude rather than an effort to earn forgiveness. Thus the sequence of forgiveness and then repentance, rather than repentance and then forgiveness, is crucial for understanding the gospel of grace.

Reality, truth, and Jesus Christ are incredibly open-ended

I believe that the real difference in the American church is not between conservatives and liberals, fundamentalists and charismatics, nor between Republicans and Democrats. The real difference is between the aware and the unaware.

There is a beautiful transparency to honest disciples who never wear a false face and do not pretend to be anything but who they are.