John Logan pretty much does the Woody Allen thing of just bringing people in and meeting them.

We were kind of never one of CBS favorites [with Threshold], even though we'd gotten really good reviews for the pilot. We were on at, what was it, 10 o'clock on a Friday night? That's kind of where you bury a show if you don't want it to last. But, wow, what a cast, huh? You could never get that cast together again.

I don't think everybody wanted to be on [new Star Trek series] . I certainly didn't.

I wanted to look right. I remember a review - a very positive one - in The New York Times that said I was so good in the role [Earl Mills] that I "even managed to overcome a terrible red wig." I wanted to write her and tell her about the agony I'd gone through with the perm, but I thought better of it.

I have to go with Data's makeup, because that was basically every day, 10 months out of the year, for seven years. There were only a couple of days that I had to endure for Dr. Soong.

Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.