Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken. I mean, what a man. Someone who's done Preston Sturges movies, and I actually got to work with him? And he was great.

When I go to the old folks' home, I'm gonna be sitting in a rocking chair, telling everybody how I worked with Jack [Lemmon] and Walter [Matthau].

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.

I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.

People think that being on Star Trek is career suicide, but it's really just the opposite

Pierre [from Dude, Where's My Car?] could be the best thing I've ever done. When you distill it down to a minute and a half of work, that may be my finest effort.