Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.

Certainly I find it most interesting to play a role that I can invent from nothing.

It was kind of an amazing class. I went to the Strasberg Institute in New York for a little while after I got there, and I've never seen anybody who was in any of my classes there ever again. I mean, that's not to say they didn't become somebody. I'm not sure. I mean, Sam Jackson could've been in my class, for all I remember.

And, you know, when you are a kid, everybody wants to be an actor. I think that everybody wants to be in show business, frankly.

I did learn a lot from [ Felicia Day], though, and I was able to usurp some of her talent.

Of course, when you see [ musical numbers] in the movie [Out To Sea ], it's cut into a lot with other scenes, but we shot the number straight through, so here I am doing it, and sitting right in front of me in the audience was Donald O'Connor. And I was, like, "Oh, my God, I can't believe I'm performing a musical number in front of Donald O'Connor," who's one of the greats of the silver screen. But it was a thrilling experience, it really was.

I think Night Court was the first thing I did when I came out to Hollywood. It was just one of those things that... I'm from Texas, and it was a character I'd been doing when I was a kid, just for fun.