I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.

I did learn a lot from [ Felicia Day], though, and I was able to usurp some of her talent.

I think the potential for man is so enormous, if we can stay alive long enough, we're going to be seeing a lot of what Star Trek is projecting.

I actually had some funny dialogue [ in Stardust Memories], a little piece, and we shot all day in this big ballroom. Gordon Willis was the director of photography, and at the end of the day, Gordon turned to Woody Allen and said, "We cannot accomplish all of this in this space. It's impossible." And we'd been rehearsing and trying to shoot this thing all day. So Woody said, "Okay, let's do something else." He looked at me and said, "Come back tomorrow, I'll put you in something else." And he did.

Rick Berman, who produced Star Trek, was a big Night Court fan. So he knew who I was as soon as I walked in.

I think I was technically uncredited as Local #1, because there were three of us. But I had the most lines [in My Sweet Charlie].

It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.