I think there is something like 90% unemployment in the Screen Actors Guild, so we are the exception.

I always refer to [Stardust Memories] as Sharon Stone's and my first film.

I think it's the business part of the word show business that causes me the most concern.

Obviously we're doing a comedy [Fresh Hell], and our intent is to entertain, but we're also really aware and trying to stay aware of the subtext of what it's like to reach a certain age and be dismissed, basically, from the fraternity you've always wanted to be a part of, and the desperation involved in trying to claw your way back into it.

In my heart, I've never left Brazil.

People think that being on Star Trek is career suicide, but it's really just the opposite

I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.