Having spent so much time in a fictional world, I prefer to read about the real world

I think that Enterprise was getting better and better, actually, and if it had kept going, I think it would've turned into as good a show as any other in the Star Trek franchise.

I have to go with Data's makeup, because that was basically every day, 10 months out of the year, for seven years. There were only a couple of days that I had to endure for Dr. Soong.

When I go to the old folks' home, I'm gonna be sitting in a rocking chair, telling everybody how I worked with Jack [Lemmon] and Walter [Matthau].

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.

I did have a tiny moment in a TV movie called My Sweet Charlie, starring Patty Duke.