I really enjoyed doing that [Law & Order: Criminal Intent (2004) - "Graham Barnes"]. I got to work with Margaret Colin, who was a blast to work with, and a wonderful actress, and Taylor Roberts. She was fantastic. And getting to work with Vincent D'Onofrio, who's amazing. But I loved the characters of the parents, these sick psychiatrists.

[Out To Sea] was like a dream come true for me, because I got to work with Jack [Lemmon] and Walter [Matthau], who were unbelievable.

Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.

That's what kids were like then. So I really like the movie [Dude, Where's My Car? ], I think it's genuinely funny, and I wish I hadn't been so arrogant about it. And, of course, I didn't know it was going to be my best work, either.

Hollywood has more than its share of harsh and crewel stories. In fact, it's probably more the norm than the exception.

I think Rick Berman just called me and asked me if I wanted to do the show [Star Trek: Enterprise], and he said they'd write an arc if I'd do it.

Timing is everything, as you know.