My movies are pretty tight and they're pretty well-paced. I'm not one to make long movies. I don't dwell on stuff.

I want to print books by people in the film industry.

I'm trying to be a little bit more mature about my choices and think about what I want to direct next, instead of just jumping into a movie 'cause I want to do it.

I don't have any regrets.

There's no greater feeling than people coming up to me and going, "Man, my father was dying, and we went to see Rush Hour, and it was the greatest night we had in years together. We sat in that theater and we laughed for two hours without stopping. That was just a great memory that I had before my father died."

I got a Super 8 camera when I was eight years old, and I just wanted to tell stories - I love telling stories.

My mom had me when she was 16, and I was an only child, which is probably why I received a lot of love and didn't miss that my father wasn't around.