I don't have any regrets.

I love movie directors. I don't care who it is.

I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.

I've worked with a hundred of the biggest artists in the world, from Madonna to Mariah Carey, and he [Michael Jackson] is just beyond. He's at a whole other level, spiritually. He's got the God spot. Everyone has it, everyone has that God spot, but it's just the way he's in tune with it. He has it. It's right there, and when he starts to sing, God has just opened it up for him. That's why he's not comfortable around people and things, because he's just such a unique - he feels blessed just to be himself. "I can't believe I'm Michael Jackson."

You've got to think about how to do things for the right price. You have to shoot in different places to be creative and get tax rebates.

They say your childhood influences your tastes and interests, or your approach if you're an artist. So what you create, whatever you saw, whatever your childhood was like - it influences how you're going to end up.

I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.