When critics or people judge, I think it's harder to make a commercial, pop movie than it is to make a pretentious art film. It's harder to reach millions of people and satisfy them and make them happy. These films kind of get ghettoized, this genre because there are so many big, big movies that are such big hits, but aren't any good. The audiences, they're not judging the style of the director, or the execution of the film. They're just looking to be entertained. They want to escape from their reality, and that's why we make movies, to get people to escape from the realities.

I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.

I'd want to marry Cate Blanchett, date Kate Bosworth, and spend the weekend with Elisha Cuthbert.

When you're the director, you kinda do all the work.

Michael Jackson doesn't really belong on this planet. He's the most important figure in the history of music. He'll be remembered far longer than George Bush will. 200 years from now, people will be talking about Michael Jackson, and no one's going to mention George Bush.

I've watched 'Being There' over 50 times, and every time I watch it, I love every frame. I just wish I had directed it myself.

Woody Allen is in his '70s and he's making movies, so I look forward to getting there.