I love skating. I love the speed, the power, the excitement, the feeling that --- even for just a moment --- I can defy gravity and fly through the air. And I love the way that a great skating performance, like any work of art, can move an audience to laughter or tears.

On the lip of the Grand Canyon. I've always wanted to do that. My very first TV special out of the Olympics was on a glacier in Alaska. Right after that one, I went and pitched this idea to skate in three National Parks. Like Voyageurs National Park, because it freezes over and you have these little islands that you can skate around. [The networks] were like, 'Way too expensive.'

Sasha gets a raw deal from the press. She makes one mistake in her program and people rip her for not pulling it off when it counts. But she never falls apart. She never just completely folds and misses everything. Usually it's just one mistake.

So the programs all start to all look the same. I watched one free skating competition, and I thought I was watching a short program. Everyone was doing exactly the same elements.

Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.

As an athlete, I hope we can remain focused on the Olympic spirit which celebrates achievement in sport by peoples of all nations.

The Olympics are great for notoriety right off the bat, but your body of work is what people remember you for.