Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.

That's what amateur skating is about, technical expertise, and it should always stay that way.

The Olympics are great for notoriety right off the bat, but your body of work is what people remember you for.

So the programs all start to all look the same. I watched one free skating competition, and I thought I was watching a short program. Everyone was doing exactly the same elements.

On the lip of the Grand Canyon. I've always wanted to do that. My very first TV special out of the Olympics was on a glacier in Alaska. Right after that one, I went and pitched this idea to skate in three National Parks. Like Voyageurs National Park, because it freezes over and you have these little islands that you can skate around. [The networks] were like, 'Way too expensive.'

If I had never won a single medal, I'd still be skating in a rink somewhere. There wouldn't be an audience or camera flashes or autograph seekers, but I'd still be skating.

Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.