I love digestible art, but I make what I think is organic and realistic, and therefore it's incomplete and completely tangent oriented. I try to keep with what I am thinking about that day - which changes too fast.

I hope to incorporate more variety of beats, more syncopation. It becomes very easy to play straight beats; straight rock is alluring.

I am a musician before a writer, and a drawer before a writer. When I lose sight of that, which I do, my work tends to suffer.

I don't like people feeling like they've been cheated out of their money, and I too have been caught in the back of floor shows, only to inspect the backs of necks and the mudded sounds pushing though bodies.

There are people who seem to be on the verge of going either way, and something kicks in to support either the visual or the auditory. Maybe if you are in a rush for success you follow the one that is the most successful, and the other falls to the wayside.

Gross things sound funny and set people up to listen to something a little uninviting.

It's really nice to have things to mail to people when they mail you things, or trade to people at shows. Something homemade, it feels... down to earth.