People have a hard time reading my comics. I think I leave things out, but I feel you should.

I don't like people feeling like they've been cheated out of their money, and I too have been caught in the back of floor shows, only to inspect the backs of necks and the mudded sounds pushing though bodies.

Words, for me, don't have as much contextual leeway as sound.

I love digestible art, but I make what I think is organic and realistic, and therefore it's incomplete and completely tangent oriented. I try to keep with what I am thinking about that day - which changes too fast.

There are people who seem to be on the verge of going either way, and something kicks in to support either the visual or the auditory. Maybe if you are in a rush for success you follow the one that is the most successful, and the other falls to the wayside.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

Lyrics always fall short with the amount of energy thrown into the playing. Lyrics to some extent are just the product of a singer's insecurity with singing.