I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.

I think it's a myth that American public or any other public is so stupid that they need to be constantly pricked.

At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.

Being completely free to choose what to do is actually quite difficult

I've discovered this new electronic technique that creates new speech out of stuff that's already there.

We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

I want to make things that put me in the position of innocence, that recreate the feeling of innocence in you.