I'm very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.

Anything popular is populist, and populist is rarely a good adjective.

When I work there are two distinct phases: the phase of pushing the work along, getting something to happen, where all the input comes from me, and phase two, where things start to combine in a way that wasn't expected or predicted by what I supplied. Once phase two begins everything is okay, because then the work starts to dictate its own terms. It starts to get an identity which demands certain future moves. But during the first phase you often find that you come to a full stop.

I set up situations that involve abandoning control and finding out what happens.

Attention is what creates value. Artworks are made as well by how people interact with them - and therefore by what quality of interaction they can inspire.

I don't want to do free jazz! Because free jazz - which is the musical equivalent of free marketeering - isn't actually free at all. It's just constrained by what your muscles can do.

Possessions are a way of turning money into problems.