The past nine years in San Diego have represented such a period of questioning.

The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction.

The Western musical canon came about not merely by accumulation, but by opposition and subversion, both to the ruling powers on whom composers depended for their livelihoods and to other musics.

If nothing is at risk, nothing is established.

By reason of weird translation, many such sets of instructions read like poems anyhow.

Naturally enough, I couldn't have foreseen the vast sea change which has come upon that scene as a result of German reunification and associated events.

In any case, the fewer boundaries that exist hindering free movement between all forms of articulate human cognition, the better.