Writing for the stage is different from writing for a book. You want to write in a way that an actor has material to work with, writing in the first person not the third person, and pulling out the dramatic elements in a bigger way for a stage presentation.

For me it's been very exciting to contribute to the public's understanding of how rich and wondrous science is.

Falsifiability for a theory is great, but a theory can still be respectable even if it is not falsifiable, as long as it is verifiable.

The tantalizing discomfort of perplexity is what inspires otherwise ordinary men and women to extraordinary feats of ingenuity and creativity; nothing quite focuses the mind like dissonant details awaiting harmonious resolution.

The universe is incredibly wondrous, incredibly beautiful, and it fills me with a sense that there is some underlying explanation that we have yet to fully understand. If someone wants to place the word 'God' on those collections of words, it's OK with me.

Black holes, we all know, are these regions where if an object falls in, it can't get out, but the puzzle that many struggled with over the decades is, what happens to the information that an object contains when it falls into a black hole. Is it simply lost?

In essence, we string theorists have been trying to work out the score of the universe, the harmonies of the universe, the mathematical vibrations that the strings would play. So musical metaphors have been with us in science since the beginning.